/ Two houses, two stories

Find the house whose rhythm matches yours.

Each property has its own age, character, and feel. Neither looks like the other. Read what makes each one itself, then follow the one that fits.

Environmental wide shot of a Victorian-era guest room as it actually is — iron bedframe with rumpled linen, morning light through tall single-glazed sash windows casting long shadows on oak floorboards, a small nightstand with a ceramic mug, patina on the plaster walls, soft overcast north-facing daylight
Environmental wide shot of a Victorian-era guest room as it actually is — iron bedframe with rumpled linen, morning light through tall single-glazed sash windows casting long shadows on oak floorboards, a small nightstand with a ceramic mug, patina on the plaster walls, soft overcast north-facing daylight
Environmental wide shot of a low-ceilinged cottage bedroom with exposed stone wall, a timber beam above the bed, hand-stitched quilt in faded indigo and cream, small deep-set window with condensation, overcast morning light, worn flagstone floor partially covered by a braided rug
Environmental wide shot of a low-ceilinged cottage bedroom with exposed stone wall, a timber beam above the bed, hand-stitched quilt in faded indigo and cream, small deep-set window with condensation, overcast morning light, worn flagstone floor partially covered by a braided rug
Victorian terrace
Converted mill building

The Elm House

The Mill Cottage

A mid-terrace from the 1880s with original cornicing, deep window ledges, and guest rooms that face east. The creaky third stair is not going anywhere.

Stone walls, low doorways, and a stream you can hear from the bedroom. Built as a working mill and still feels like it knows what hard mornings are.

Not sure which house fits? Write to us directly and we'll tell you honestly which one makes more sense for your trip.